Indigo (Beyond the conclusive logic of monumentality, Part II), Cap Spartel, Morocco, 2016, Archival pigment print
“Dawit L. Petros is a visual artist, researcher, and educator. His work is informed by studies of global modernism, theories of diaspora, and postcolonial studies. Throughout the past decade, he has focused on a critical re-reading of the entanglements between colonialism and modernity. These concerns derive from lived experiences: Petros is an Eritrean emigrant who spent formative years in Eritrea, Ethiopia, and Kenya before settling in central Canada. The overlapping cultures, voices, and tenets of this constellation produced a dispersed consciousness, global and transnational in stance and outlook. His works aim for an introspective and textured analysis of the historical factors that produced these migratory conditions. Petros installs photographs, moving images, sculptural objects, and sound work according to performative, painterly, or site-responsive logic. Moving between the works echoes the extensive travel taken to produce them; while recurrent visual or formal devices quietly indicate the complex backdrops against which his projects are set.”